wiederveroeffentlichung des 1981er albumklassikers mit den roots radics im channel one aufgenommen und mix von scientist in king tubbys studio. die musiker bass: flabba holt, drums: style scott, carlton santa davis, percussion: noel scully simms, christopher sky juice blake, rhythm guitar: bingy bunny, noel sowell bailey, lead guitar: alan bassford, bo pee bowen, keyboards: gladdie anderson, winston wright, horns: dean frazer, nambo robinson. für alle dubheads die info: das gunman album ist die basis von scientist rids the world of the evil curse of the vampires.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. die 2009 er kollaboration zwischen broadcast und ihrem artwork-designer & ghost box-labelbetreiber julian house (aka the focus group).

i will remember the kisses our lips raw with love and how you gave me everything you had and how i offered you what was left of me.

vinyl only release, ltd to 500 copies
i didnt mind what she called me, what anybody called me. but this was the room i had to live in. it was all i had in the way of a home. in it was everything that was mine, that had any association for me, any past, anything that took the place of a family. not much: a few books, pictures, radio, old letters, stuff like that. nothing. such as they were, they had all my memories and no one could disturb this private peace.

arturo garces, our brother from the west coast, returns to robsoul with his looking for strangers ep. loved by the robsoul community for his beats from the streets series, the san jose resident first appeared on the label back in 2012 with a trio of tracks that made up vol.1. two more collections followed and firmly established arturo as one of the labels most exciting talents. a label boss himself, arturo is seen as having helped define what is known as the silicon valley sound. his own blend of beat-laden house infused with elements of soul, funk and disco has seen him become a favourite with the likes of sneak, farina and weeks.
looking for strangers opens with the latin guitar licks of the title track before we are treated to the deeper jackin vibes and delicious chords of bassment beat. the vicious kick drum of no fool leads us on the flip, with its awesome stabs of soul. in motion featuring the subtle and sultry vocals of silencia closes the ep with its twisted filters and bass-heavy beats.

both the dub version and the listen up vox mix of give you some rest on the a-side. opening with percussion, the impending rhythmic baseline quickly grabs our attention. darius throws us some vocal sampling in the vox mix, creating an outstanding raw and iconic house vibe. flipping it over, we find drop your gimmicks on the b-side. this one is a bit more serious and bit less bouncy. with a deeper bass line that tells you what time it is, and the percussion to keep your feet shuffling, the track is, as darius put s it true house music .

the latest discovery by roit recordings is heat vibes, the talented mexican duo behind the release. the duo has some sick beats up their sleeves to make you move: the dirty sound with tweaked vocals floating over will be what you will love about the mexican upcomers, as well as the banging remixes by jacob b (pl) and ovis (nl). make sure you grab a copy to save this gem in your collection!

introducing the album comes track coma with thousands supa grove percussions and intergalactic keys driving you to a heart of a universe on supersonic speeds. next comes the viking and continues the ep with a serious intellectual sound containing analog vibes mixed with echo keys and drums. a track called akranes brings your mind to a called train passing through snowy siberia with million thoughts and a hot tea in a hand with eyes caught up by snowy fields behind the window. mud gives a shot and brings u down after all the illusions u have during listening an ep, this track will make you shaking in 2-3 seconds so hold on! a true analog sound in a quality pack is that what you prefer to get inside the monsters ep s. monster power!

five dubbed out techno cuts from echoed (industrial) anthem to (pulsating) dancefloor banger. inspired by late-nineties dub techno. what happened remains uncertain ...

yet another classic master reese production from the vaults. this time from way back in 1991. -speaker punishing- was a stone cold detroit killer that crossed over here in the uk and european rave scenes due to it s break-beat laden hardcore appeal, string quartet samples and incessant bass-line while it s flip-side -feel the mood- carries that after hours detroit vibe over two different mixes (ably mixed by the legendary marty bonds) and still sounds amazingly fresh and current today some 20+ years later. both tracks are essential weapons to have in one s dj bag and display what a versatile producer kevin saunderson is with two totally different energies sharing the same slab of wax. re-mastered, re-pressed and re-released for 2015 with all original incognito label artwork with the full consent of kevin -master reese- saunderson, detroit mi. essential!

on the back of 2 well received releases on dirt crew & dam swindles heist recordings, dutch native nachtbraker drops a beauty on hudd traxx.

we dont know what good old louis jordan would’ve thought of a house-gambler like rampa, translating his >let the good times roll.<- credo into the clubagenda. quite possibly he might’ve forked out some sax samples for rampas next cuts, after revising this upcoming km026, the >good times / roll< ep.

shipping earliest monday , march 2nd. home invasion is the new label from real tone man franck roger, a man whose career has scaled the full depths of house music over the past decade or so. evidently seeking a new challenge, the parisian s new imprint promises to adhere to a vehemently underground way of working, with every ep released upfront on vinyl-only terms and produced exclusively on analogue equipment. franck roger is back this time in solo with 3 fresh tracks made in is home invasion laboratory, this time going back to some proper raw stuff on the a side, going back to his new jersay roots on vib’ray shun that will remind us some of the old bno traxx made back in the days from the deep, what we used to call the french touch but in the underground scene for those who reminds that era… immersion is a deep kind of aquatic hypnotic track with a little ‘clin d’oeil’ for the old prescription records wich has been one of francks all time influencing label…on the b side we keep exploring a more abstract side of franck wich will remind us his work on earthrumental records ..sub division of real tone rds.. a modern approach of his dubby influences.

screen printed by house of traps * triple vinyl!
ah, yes! finally some real flavours to sink our teeth into. the nose is truly a work of art. first the classic peaty smoke but so distinctly understated. confident in it s maturity. the salty pineapple citrus is next coupled with a refined lemon- lime toffee tartness. and finally a whiff of fresh cucumber sprinkled with the loveliest of white pepper. oh, yes. this is what we’ve been waiting for! the creamy mouthfeel is laced with intense black peppers but then mellows out to give you honey, lemon and chocolate with a dash of tobacco. the long peppery finish is fruity with a hint of limestone. these are the classic flavours that made linkwood one of the top distilleries and expressions should be on your list of malts to try before you die.

amulett 002 is dedicated to trouw amsterdam. makam pays his respect to this institute with 3 distinct tracks. sharing his vision on what trouw meant, by embodying the energy and spirit the trouw was infamous for.

3 new stunning tracks of pure old school house music from our man nicolas aftalion. destined for dance floors everywhere on planet earth. this is what we like. this is house music

a1: -deep roads- the idea of perfection has never been so close. with its persistent succession of drums and embracing bassline the first track of the ep kicks in with analog pure sounds. a2: -got me- it is recorded with maria bergson on vocal. 100% pure sexy club banger. b1: -what u want- alex calls den on board to create something extraordinary. the result is a creature that will take your body and shake it all night long. drums and bass recorded live, analog. b2: -got me- (rick wade remix) nothing better than an exotic and tribal version of got me by the master of house mr. rick wade.

repress 2015 ... machines do speak a language understood and appreciated by humans. measured by the success of skudge, an artistic duo that has delivered a lot in a very short time. combining their inspiration and talent through wires and analogue equipment, they seem to always present something new - in a very faithful style. what remains most significant on their output through the main label skudge records, as well as their remix material present on a row of different labels, it must be their exceptional sense of loops and unexpected detail in their productions.

kangaroo skull is the solo project of rohan rebeiro - drummer of renowned australian trio my disco. heavily percussive and rhythmically complex, kangaroo skull meticulously pieces together soundscapes within max msp, with an end result that conceals in its raw simplicity the intensity of the process. with multiple tours outside australia already behind him, australian dancefloors have been keenly awaiting a first release. palace of nothing is his much-anticipated debut - four tracks that convey a sophistication far beyond what could be expected from such a new producer.

mit seiner band junip veröffentlichte er zwei großartige werke, arbeitete am soundtrack zu the secret life of walter mitty mit und steuerte gerade erst seine version von how we walk on the moon zu master mix: red hot + arthur russell bei. vestiges & claws wurde fast komplett von josé gonzález in eigenregie aufgenommen und produziert. zuhause in göteborg nutze er eigentlich nur computer plug-ins, um die songs aufzunehmen und dadurch einen warmen, analogen sound zu erzeugen. musikalisch führt das album das fort, was die beiden vorgänger schon angefangen haben: gedämpft und feinfühlig wirken die lieder, die die wunderbare stimme gonzález und sein verschachteltes gitarrenspiel in den vordergrund setzen ohne dabei besonders laut oder bombastisch sein zu müssen.

do you know what genre this is? do you know whos going to play this record? do you know at what time in which club? if you knew, would it sound any different? would it make you feel any different? heres a thought: what if this release was made just for you? what if you realise, as you put the needle to the groove, that this is your music? you can share it with your friends, and strangers will talk about it like it was theirs, but deep inside youll know: this was made for yoursel

february 2015, !organism celebrates by pressing up a standout ep by simone tavazzi. the italian’s originals get remixed by bodyscrub & pascal nuzzo and complete what are four tracks of excellently direct techno.

ltd nice price. breaking mr. pink takes on the classic by chicane and bryan adams to refurbish this legend for the summer of 2009. supported by a massive christopher s. & mike candys remix, >dont give up< has got what it takes to enter the peak time slots!

last copies... first part of the defected accapellas feat the divas lots of useful upper class acapellas!!!

when life gets tough, we always turn to music for physical and spiritual relief. we ve found that dancing to music with positive vibes brings us the joy and energy we need to get on with our daily rhythms. the four tracks contained on this disc are made for dancing. they fit perfectly in uplifting sets and are crafted to blend together with a wide range of house flavours. times are ruff understand what the soul needs to let go of the many forms of stress and pressures in life. we hope you enjoy the music as much as we have enjoyed making it and presenting it to you.

meda fury presents *remember every moment ep* by pearl river sound. fury continue to bring the heat with their first release of what could quite possibly be a banner year for the label. pearl river sound is the moniker of italian musician roberto semeraro. based in rome he emerged on the scene with a cassette release on the seattle label further records. after a further cassette release on indole records which again explored his classic 90s electronic and idm influences, his media fury debut sees him bring in some 4/4 beats to channel classic deep house sounds without losing his signature pure and melancholy sound.

its deep88 & melchior sultana finally back at it with the album that brings together some brand new house tunes and all the release from there project so far,playing without moving is more then just tracks but its an album made to remind you in this point in time that house music is something special, a perfect interpratation of what deep88 & melchior sultana are about and that is retro grooves and musical vibes making this piece of work a classic.

prime are proud to welcome to its roster a brand new label from the heart and soul of house music, chicago meet kmg chicago. first up we have a perfectly formed 4 tracker with tracks and remixes from legends such as mike dunn (just check his mix of the belizian voodoo priest track), & harry dennis (the it with larry heard) & jungle wonz (with marshall jefferson) delivering the stylish old school vibes, with new school chicago is represented in full by dlg and pablo angel remixing kim jay & faith howard (jay z vocalist) respectively. 4 tracks, 4 styles, full chicago

this one is a taste of things to come from the clekclekboom camp, a ready to use various cuts ep made by deejays for deejays. the label say -a solid piece of wax with different weapons including already known ccb producers and extended family. for this first volume, french fries teams up with nsdos on a hypnotic jam, bringing chicago s percussive legacy in a 90 s nyc ballroom. then we got aleqs notal going deep with a new batch of his lunar material where tripping synths meet spaced out hi-hats. on the flip jean nipon provides his drummer background to display some infectious rhythms colliding with a shuffling syncopated bass, while barbara ford takes us through a heavy mesmerizing acid jam tunnel… overall a deep and yet club-material experience representing perfectly what clekclekboom has to offer today.-

with the sixth record, shtum continues to introduce fresh artists with different perceptions on what techno is about.

are we all tired of the *artist returns after number years in obscurity* headline yet? because michna sure is. nearly seven years following the nyc dj/producers debut album for ghostly, magic monday, he has finished the official follow up to that record, but adrian yin michna doesnt want to overstate what happened in the interim. *life just moves,* he starts casually, *there has been a lot going on.* dj gigs, music production for video games and commercials, and film scoring have kept him busy, along with a healthy balance of painting, biking, and other non-musical endeavors. in light of michnas sophomore lp, thousand thursday, though, it all seems beside the point. simply put, his latest record is a celebration of the producers love for vibrant electronic music, bothering very little with conceptual or contextual baggage.
the vinyl lp includes a code for free download of the full album.

finally the moment has arrived for us to release new original music on our own label! this monster release has a history that takes us back more than four years to a 48 hour studio session at our beloved marcy hotel in brooklyn, ny. the original collaborative effort came from a laundry list of familiar crew love players including soul clap s charlie and eli, wolf + lamb s gadi mizrahi, no regular play s greg paulus, the lovely deniz kurtel and even mr. fantastic himself, lee curtiss. after all was said and done the body and inspiration of the record was there but what was lacking was a strong vocal. enter robert owens, arguably one of the most prolific and sonically recognizable singers in house music period

after the striking debut release on nothing odd recordings found label owner sam smith sitting comfortably alongside baby ford for an exploration of subliminal house and techno, nor002 finds smith donning the alias monty the fly and expanding on his own vision for stripped-down dance music brimming with psychoactive tendencies. across the three tracks there is a diverse range of moods being drawn on, from the meditative to the mechanical, all fused together by what some might consider an obsessive eye for detail. there s meditation in the air in places, with mysterious pads and heavy splashes of reverb soaking out into some corners in the time-honoured dubwise spirit of transcendental electronic music. elsewhere brushed percussion and disembodied vocals shape out a more sinister message, lending themselves to a sound world both immersive and disorientating in one fell swoop.

its no mystery anymore that tiger & woods are the best when it comes to fermenting old disco and boogie. the driven, discerning and dedicated disc-jockey or dancer will find once again what he or she needs: bionic boogie and kryptonite house. sampled and cleared, sliced and spiced!

it often said that all good things must come to an end, but it s especially satisfying when that end is a real high note. wed like to think thats the case with icee hot, as its five- year run as a party and a label is coming to a close this month, both with a 28­hour marathon goodbye event and with daddy issues, the latest ep from vin sol & matrixxman.

elektra release of charlotte gainsbourgs third studio album titled irm. the title is derived from m.r.i, which reflects the medical procedure charlotte had to go through after suffering a head injury in a water skiing accident in 2007. the album is charlottes most personal to date, and is produced by acclaimed grammy nominated artist/multi-instrumentalist beck. what started as a brief recording session between charlotte gainsbourg and beck ended up to be the body of work that is irm. over the course of a year and a half of writing and recording together, becks role grew to encompass all aspects of the creative process. he worked seamlessly with charlotte co writing the lyrics and produced and mixed the recording. (this is the first time he has ever been so involved in another artists work.)

ltd warehouse find... after his great debut on purple music in 2010 with >better way< feat. barry solone, seb skalski is back with an incredible disco influenced production. recorded with a 15 head band >the easy band allstars<, this is what we call music made with love as it was use to be! seb skalkis future is in good hands and he is on the right way to be the next shining star in the music world. enjoy!!!

pukemaster gehm kicks four uncompromising and banging acid tracks where you can feel his pure love for his partner in crime, the 303. stomping basslines, twirling and chirping 303 sounds, jerking hihats and hypnotic claps all over here. pukemaster gehm know what the crowd wants.... dancing, sweating, screaming. comes on juicy pink vinyl.

what happens when two legends lock themselves in the trope studio for two days and have fun you hold the result in your hands or have it on your speakers right now. we think we don t have to introduce the label boss thomas p. heckmann and his mate ramon zenker (hardfloor and countless more) to you obviously, so we let the music speak for itself this time ! and afu limited just has it s 50. release and 10 years since the launch as afu limited !!!

the shadeleaf music label has finally got your attention it seems ! breakthrough 12 s across their first 5 releases have firmly established thatmanmonkz s label of love as a heavyweight deep house contender ! ever keen to open up the crease to new batsmen, the guys have assembled a deadly duo of big hitters for their their sixth innings. belarus, not perhaps the first place you d think of when it comes to solid house music, but four walls have certainly dropped more than their fair share of jams across labels of note like kolour ltd & traxx underground. here s he s teamed up with fellow grodno resident funkyjaws for a style that s firmly fixated with the roots us house blueprint, but with a fresh take, that s all their own. saine ought to need no introduction, but for those at the back, across a mere handful of releases (his sleazybeats ep was one of our fastest selling...ever !) this young talent has made quite a mark - his drifter ep on must have is one of our favourite house 12 s of recent times. what better way to demonstrate the shadeleaf spirit of collaboration then getting these two established up-and-comers to reinterpret each other s work ? live organic percussion, and the warming hiss and glow of machine circuits conspire to deliver perfectly balanced hip-shaking equations and low end theories. and that s just the f side !. flip for the s side (get it ?) and we re into theoesque territory, with a rasping riff snaking through some deft rhodes work and to-the-bone rhythms, while four walls & funkyjaws offer up a swinging and irresistible rub to wrap it all up top shelf tackle ladies and gents

this compilation is in celebration of our berlin party cocktail damore, which we started with boris five years ago along with visual direction by pindar (goldnsour). what began as a gay monthly, focused on bringing quality music into the alternative culture of berlin, has grown to be host to a diverse range of open minded freaks, queers and more seeking a carefree atmosphere. the music we have compiled is a reflection of the variety of sounds our guests expect from the unique cocktail experience. the 3x12 inch vinyl comes in discodromo triple gatefold sleeve including poster and donwload code to redeem audio hi-res files.

first in series of recently uncovered box bangers, from e. myers. not much is known about e. myers, nor whether he is currently active, or where this really came from. what is known is that this could line up aside shep pettibone to modern house and techno, and that there is plenty more to come. needless to say, limited edition one sided white label.

detroit techno legend anthony -shake- shakir is a person who should need no introduction. he has been a long time veteran of the scene since the late 1980s, releasing music using many different pseudonyms and working alongside other heavy hitters including, carl craig, keith tucker, juan atkins and many more throughout his long career. a career that has seen him consistently on the cutting edge of techno, releasing ground breaking records, setting up seminal record labels and building near mythical status within the global electronic music community.

following the success of its first release by the ever elusive jason grove, the vinyl-only sub-label skylax extra series returns with a little something beyond special. for those house-heads in the know, the man needs no introduction, but for those uninitiated, sit back and prepare for this double 12” selection to further your education in house music.joey kay hails from chicago in the us and has influenced a great many producers in the last two decades with his signature take on the deep house sound. he keeps things simple in the best possible sense of the word, stripping back tracks to their bare essentials in order to maintain what the spirit of house music is all about: the groove, the soul and the feeling of being carefree, even if only experienced for a few minutes at a time. there are no superfluous or ancillary sounds in joey’s music and this is all the more evident when taking a step back and listening to his spectrum of output in this collection, which spans more than twenty years of his career.

skylax records, the company focused on realeasing original obscure dance classic and everythings that sounds fine to their ears ! what a special one we have here on skylax classic! damien zala, the man who put out the superb album ‘lonely happiness’ on rowtag records in late 2012, who gets heavy support from the great theo parrish, dishes up six special tracks for our next release. before diving in, it is well worth noting that a selection of damiens album tracks had remixes by the likes of house icons such as dj jus-ed, rick wade and boo williams! if those names register even the slightest blip on your radar, which they should, then this record might be the treasure youve been searching for. damiens sampling technique has a certain air of grandeur to it. shake vibration makes this apparent right from the start with intricate layers of vocals, guitar licks and keys. all my respect and come around both follow suit whilst dizzie picks up the b side with a bit more energy and frenzy compared to what has come before it. the record rounds out with two tracks taking things a bit deeper. stay where you are drives forward with filtered pad chords that accompany jazzy sax and vocal cuts while conversely, z to the jz brings in a moodier vibe with its jazz samples and smoky drums. do not miss the chance to get such a gem of a record from damien zala!, c l a s s i c ! a must to have in every djs collection. essential item no digital

the cops are back on out-­&#8208,er and they came with their typical and unmistakable raw sound. it consists in 4 swinging crispy house tracks, deep atmospheres meet techno into a journey that will bring you straight into the anlogue cops’ dimension. on the flip, 2 collaboration with great injuries and stanley a take place to complete this totally analogue project. what makes this release so concrete and at the same time old school is the tape recording that characterize the whole ep, in it all the sounds are melted and result very consistent.

assiduous presents their first vinyl release which is full of deep richness and undiluted soul. side a contains heavy bass, synth stabs and a driving four to the floor beat that keeps the groove while a female vocal emerges later adding a bit of mysticism to the vibe on, meat and potatoes. side b brings to mind the sound of hard work in motion which is what the outfit, assiduous is noted for. an aggressive deep house attribute that is also laced with a soulful female vocal that seems to stir up a spiritual overtone into the mix on, no mo